Audrey Hepburn. The name conjures images of effortless elegance, gamine charm, and a timeless style that continues to inspire decades later. A significant part of her iconic look was her eyewear, particularly the sunglasses that shielded her expressive eyes and added a touch of mystery to her already captivating persona. While she wasn't exclusively associated with Chanel sunglasses, her style significantly influenced the design and popularity of certain frames, creating a lasting legacy that continues to be emulated today. This article delves into the world of Audrey Hepburn's sunglasses, exploring the specific styles she made famous, the history of Chanel sunglasses, and the enduring appeal of these iconic pieces.
The Best Audrey Hepburn Sunglasses from the Movies:
Audrey Hepburn's filmography is a treasure trove of unforgettable fashion moments, and her sunglasses often played a pivotal role in defining her character's personality and adding to the overall cinematic aesthetic. Certain styles became so intrinsically linked to her image that they are now instantly recognizable as "Audrey Hepburn sunglasses." While pinpointing exact brands for every pair worn in her films is difficult due to the lack of detailed records, several stand out:
* Breakfast at Tiffany's (1961): Holly Golightly's oversized, dark sunglasses are perhaps the most famous example. These large, round, and often black frames perfectly complemented her playful yet sophisticated persona. While not definitively Chanel, the style’s influence on subsequent designs, including some from Chanel, is undeniable. The oversized shape became a signature element in many subsequent sunglasses designs, emphasizing the eyes while providing a sense of mystery and glamour. The large frames also served a practical purpose, shielding Holly's eyes from the harsh glare of the New York City sun as she navigated her glamorous yet often precarious life. These sunglasses, more than any other, embody the spirit of Holly and have become a timeless symbol of Hollywood elegance.
* Charade (1963): In this stylish thriller, Hepburn's character, Regina Lampert, sports a variety of chic sunglasses, many of them featuring a more cat-eye shape. These frames were slightly smaller than the oversized round ones in "Breakfast at Tiffany's," offering a different, yet equally sophisticated, aesthetic. The cat-eye shape, with its upward sweep at the outer corners, accentuated Hepburn's already striking features and added a touch of feline allure. This style highlights the versatility of her eyewear choices, demonstrating how different frames could complement different characters and moods.
* Sabrina (1954): Even in her earlier films, Hepburn’s sunglasses choices were carefully considered. In "Sabrina," her eyewear choices often featured more subtle, refined styles, reflecting the transition of her character from a somewhat awkward young woman to a sophisticated and confident individual. While not as overtly dramatic as the sunglasses in later films, these understated pieces perfectly complemented her evolving style. The careful selection of frames in this film showcased the importance of eyewear in conveying a character's arc and development.
* Roman Holiday (1953): This film marks one of Hepburn's earliest appearances on screen and showcases a more youthful, less glamorous style. The sunglasses worn in "Roman Holiday" are often simpler, smaller frames, reflecting the more innocent and carefree nature of her character, Princess Ann. This demonstrates that even in her early career, Hepburn understood the power of eyewear in shaping a character's image and personality. The subtle use of sunglasses in this film contrasts sharply with the more prominent role they played in later, more iconic performances.
The common thread running through these diverse styles is their ability to perfectly complement Hepburn's features and persona. They were never merely accessories; they were integral parts of her character's overall look, enhancing her on-screen presence and solidifying her status as a style icon.
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